The aim of this paper is to make sense of a characteristic feature of interactive fictions, such as video game fictions, adventure books and role playing games. In particular, I describe one important way consumers of interactive fiction ‘take on the role’ of a fictional character and are ‘involved’ in the story. I argue that appreciative engagement with such works requires imagining being someone else and imagining parts of the story in a self-locating manner. In short, consuming works of interactive (...) fiction involves imagining the story from the protagonist’s perspective. (shrink)

This paper outlines a bicontextual account of fictional reports. A fictional report is a report on something that happens in a fiction, and a bicontextual account is an account that relativizes truth to two contexts. The proposal is motivated by two considerations. First, it explains the intuitive truth conditions of fictional reports without postulating hidden fiction operators. Second, it handles the problem of indexicals in fictional reports better than the standard accounts.

On the model-theoretic account, a sentence is logically true just in case it is true on all possible semantic interpretations. We dierentiate four ways one can interpret the modality 'possible' in this definition, and argue that one of these readings is not subject to the criticism levelled against the model-theoretic account by Etchemendy. By explicating the four readings we also draw some consequences for what linguistic evidence a selection of logical theories should be sensitive to.